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hey look so
real, you could reach in and pet them." "It looks just like him!" "It's so
detailed." "How do you do that?" These are just a few of the comments made by
people and clients regarding the outstanding pastel paintings by noted equine
artist Dagmar. Her eye for unerring technical detail, including conformation
features, places her head and shoulders above the competition. Owners who have
commissioned portraits of their beloved horses or dogs are amazed by her ability
to capture the characteristics of the individual -- in pose or in action with
undivided attention to detail. Her paintings have been described as "impeccably
accurate" in form, color, motion, emotion, and presence by clients and
contemporaries alike and are found in private collections in the United States,
Canada, and Europe.
A
California native, Dagmar has been drawing horses since she was old
enough to pick up a pencil. She began her career as a horse, dog and
cat artist with the submission of a pencil drawing of Secretariat
into the 1977 Ventura County Fair, which won first place. She
received a set of pastels that year for Christmas while in junior
high school, as she wanted to emulate an artist she admired,
"Kelly", who used them in her work. Her first attempt at using the
pastels was a painting of the noted Arabian stallion, Komsul, which
won first place at the fair the following year. "It was crude
compared to what I do now, but came out pretty good for my first
attempt," says Dagmar. "I got much better with each piece, so I
decided to do another one of Komsul one year after the first. Needless to say, it was much better than the first one!" In 1979 Dagmar again won numerous awards at the fair for her pastel
paintings. Also, while still in high school, she won the Senior Art
Award competition. Her winning drawing, a head study of an Arabian
mare, was framed and hung in the school library. Dagmar continually
strives to improve with each piece she does, studying each one to
see where she can improve the next time. There are some, though,
that she feels couldn’t be done any better. "I was in a ‘groove’
when I did those, and no matter how many times I look at them,
there’s nothing to improve upon."
Having
grown up around and worked with many different types of horses, she
can create equally fine renditions of a variety of breeds. She has a
keen sense of their individual personalities and has the ability to
"read" them and translate that to an individual’s portrait. "When
commencing on a commissioned piece, or any other painting, I try to
put myself in their place and feel what the animal is feeling and
gain a sense of its personality, to be better able to convey that in
the finished painting," says Dagmar. It has been a highly successful
technique as she has never had a dissatisfied client in the over 50
commissions she has completed to date. She doesn’t always have to
see her subjects in person, either. For example, one client in New
Jersey merely provided clear photos and described the horse’s
idiosyncrasies to her and she was able to produce a painting that
her client was absolutely thrilled to receive. The painting, of the
Thoroughbred gelding "Mr. Governor", is considered by Dagmar to be
one her best pieces. In addition, dog and cat owners have also
discovered her talents in depicting their canine and feline friends.
In the
past, her paintings have hung at the Copenhagen Galleri, Sporting
Life Gallery, John Miller Galleries, The Top Brass, Unique
Treasures, Art Illusions Gallery, and C.C. Design Center, etc.
However, she no longer exhibits her work in galleries, as this
method of marketing was not the best venue for her work, since it
did not seem to target her preferred clientele (those seeking a
portrait of their horse or dog).
She
has also exhibited her work in numerous art shows, such as the Jan.
25. 1996 reception dinner of the Paso Fino Horse Association's
membership convention, and has donated many of her paintings to
charitable causes, most recently being the Pyramid Society’s art
show and auction. Her pastel painting, "Alysheba Winning 1987
Kentucky Derby" was one of 66 works selected out of over 600
submitted to hang Oct. 13 through Dec. 31, 1996 at the Kentucky
Derby Museum at Churchill Downs in Louisville, KY, in the "Horses in
Motion" juried equine art exhibition. The show was a first-time
collaborative effort between the Kentucky Derby Museum and The
Equine Image (formerly Equine Images) magazine. The
goal: to create an equine art exhibition of artists from across the
United States, Canada, and the United Kingdom. The painting of Alysheba was also featured in The Equine Image's special show
edition, October/November 1996. She doesn’t focus on creating
pieces for shows, though, as she doesn’t have any particular
interest in that facet of the art world (it’s very fickle!), but
rather concentrates on fulfilling her client’s requests for
portraits. “When my clients are happy, I’m happy!”
Dagmar
designed the logos for the United States Lipizzan Registry and the
Camarillo White Horse Association. She was also responsible for the
cover art for the California Paso Fino Horse Association's 1994
Stallion Directory and 1995 Western Regions Sounding Board
Magazine. Dagmar has now branched out into sculpture and has the
goal of offering the model horse hobby and other equine enthusiasts
anatomically accurate limited edition resins of her pieces.
Dagmar's work has been featured in a number of magazine articles
over the years, including the California Horseman's News
(March 15, 1982); the California Horse Review (October 1984);
the Camarillo Daily News (Sunday Oct. 5, 1986); The
Lipizzan Journal (Vol. VII, No. 3, June 1987); Conquistador
Magazine (January 1991, the premier issue); and in an earlier
edition of Equine Images, in an article about Lipizzaners
(Dec. 1994/Jan. 1995.)
Dagmar
doesn’t specialize in any particular breed, but rather the
individual. She has done paintings of a variety of breeds, from
Quarter Horses and Paints, to Arabians, Lipizzans, Andalusians and
the beloved backyard grade horse. Anyone interested in obtaining a
portrait that looks like his/her own horse or dog, and no other,
need look no further.
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